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1. Richard linklater slacker movie#
2. Richard linklater slacker driver#
3. Richard linklater slacker series#

Richard linklater slacker driver#

We join the driver of this car in his flat, until he is arrested by police and charged with running down his mother.

As help is called, the camera moves in a leisurely circle until it regards a rooming house just as the same hit-and-run car pulls up in front of it.

He drops off his fare just as a car speeds away and some passersby find a woman hit-and-run victim in the street. Example: Early in the film, a taxi driver picks up a fare (Linklater), who hangs over the back seat and expounds at length on his theory that every time you think of a possibility, that possibility becomes a separate reality on some other level of existence. Linklater does the same thing at a speeded-up pace that allows him to carom through the slacker community of Austin, Texas, like a cue ball with a camera. Surrealist directors such as Luis Bunuel, in moves like " The Phantom of Liberty," would follow one story for a scene or so, and then - when the characters bumped into another group of people - spin off and follow them for awhile, and so on until the end of the movie. So he has borrowed an excellent technique from the surrealists and pushed it to its logical conclusion. People got tired of the romantic comedies, but that’s Hollywood’s fault for not using him properly.Linklater wants to watch these people and listen to them, but he does not much want to get involved in their lives, or follow them through the mechanics of a plot. I know the narrative became something else, but the truth is Matthew has always been consistently good in everything. “If people look back and say, ‘Oh, there was this down period for Matthew,’ if you really break down his films, there is a lot of really good work. “Matthew has always been a great actor,” Linklater says. I admire smart guys who don’t wreak a lot of havoc and get away with it.” The film also gave Linklater a chance to reunite with one of his favorite actors. Here were these dirt-poor West Texas guys, in a very crazy developmental moment for our country, who just happened to be the most successful criminals ever. And the subject matter was very close to me. Produced by 20th Century Fox, The Newton Boys was Linklater’s most conventional picture to date-which made it its own kind of challenge. They aren’t even going to the concert-it’s so nothing.” In the end, went to college, he’s going to a war-they really delivered the goods. “I was like, ‘Ugh, not much.’ I didn’t have what American Graffiti had.

Richard linklater slacker movie#

I like those people, and they are having a good time.” The studio liked the idea of a teen movie set in the 70s, but some executives wanted to know what exactly happens to the characters. I didn’t want future generations to be like, ‘Oh, I wish I would have lived then.’ And yet, you can’t help it-it does look fun. Linklater’s intention, however, was somewhat more complicated: “The 70s kind of sucked. This content can also be viewed on the site it originates from.įor those of us who were teenagers in the neurotic 90s, Dazed and Confused arrived like a giant cinematic Quaalude, hypnotizing us with a fantastical vision of football players, cheerleaders, geeks, and burnouts bonding over a shared love of good weed and Joe Perry guitar licks. Later came successful experiments with rotoscope animation ( Waking Life, A Scanner Darkly), intelligent kids’ entertainment ( School of Rock, Bad News Bears), and second- and third-act romantic comedy ( Before Sunrise, Before Sunset, Before Midnight). He followed that up with Dazed and Confused, the ultimate on-screen treatment of high-school-graduation day, which helped launch the careers of Parker Posey, Ben Affleck, Anthony Rapp, and, most memorably, McConaughey.

Richard linklater slacker series#

But Linklater has been pulling off seemingly impossible feats for more than 20 years, starting with 1991’s Slacker, which somehow managed to define a generation with a series of tenuously linked vignettes, set on a single day, shot on a budget of $23,000. Watching Boyhood, which opens Friday, it’s hard to imagine how the filmmaker and his remarkable cast-newcomer Ellar Coltrane as the titular boy, Mason Linklater’s daughter, Lorelei, as his sister Hawke and Patricia Arquette as their divorced parents-assembled such moving, let alone coherent, performances over the course of so many years. The only thing missing is a Matthew McConaughey cameo! The groundbreaking new film, shot over the course of 12 years using the same actors, shares a number of traits with the director’s earlier efforts: it was filmed entirely in his home state of Texas it prominently features children it plays with the idea of time it doesn’t have much of a plot it stars Ethan Hawke. Richard Linklater’s Boyhood is a coming-of-age movie like no other-but it’s not exactly a Richard Linklater movie like no other.